Early Antique Carved Picture Frame from France
by AeologyEarly Antique Carved Picture Frame from France
Circa 1910Product Details
Circa Date : 1910
Materials : Pine
Country of Origin : France
Condition Report : Very Good.Description
Interesting and decorative carved pine Picture or Mirror Frame from France surmounted with applied vase of flowers. At the base is another central applied carving of wheatsheaf flanked by bunches of grapes, while the moulding itself has a continuous pattern of carved vine leaves. The rectangular frame measures 35 inches high x 22 wide. Circa 1900-1920. In very good condition.
Vintage Carved Wooden Panel with French Chateau
by AeologyVintage Carved Wooden Panel with French Chateau
Circa 1920Product Details
Circa Date : 1920
Materials : Wood
Colour : Natural
Country of Origin : France
Condition Report : Excellent.
Size 66 cm H x 46 cm WDescription
An interesting vintage Relief Woodcarving of a famous chateau in the Brittany region of western France.
Specially commissioned with a local woodcarver as both a piece of advertising and an expensive tourist souvenir, the 3-dimensionally carved panel depicts one of the towers of the Chateau de Fougeres set on its rocky promontory, and with the shield and ribbons of the chateau’s coat of arms superimposed at the center bottom of the panel.
Circa 1900-1935 Measures 26 inches high x 18 wide.In excellent condition.
J. A. Harington Bird The Drinking Well Oil on Canvas – POA
by Darnley Fine ArtJ. A. Harington
1846 – 1936
The Drinking Well
Oil on canvas, signed lower right
Image size: 16 x 24 ½ inches (40.5 x 62.5 cm)
Hand made Orientalist gilt frameHarington Bird was a painter of animals, often in watercolour. Born on 23rd May 1846, he was destined for the Army but took up painting instead. He studied at The Royal Academy Schools and in 1870, aged 24, exhibited his first picture there. A second Royal Academy exhibit, ‘On Sufferance’, followed in 1874 before Bird set off for Montreal, Canada, where he became an Associate of the Royal Canadian Academy, but in 1885, after a ten year absence, he returned to England.
Once back, Bird resumed his Academy career and seems also to have been engaged in commissions, painting prominent English racehorses of the time. Around the turn of the century, Bird started to concentrate on the Arab horse, and probably visited North Africa to study this noble animal in its natural environment.
On the whole, Bird painted the Arabian horse in watercolour and achieved remarkable effects in this medium, capturing in particular the sheen of the horses’ coats and the dust of the desert.
Bird’s meticulous attention to equine anatomy and skill as an artist make him the leading horse painter of the Orientalist movement. His work is to be found in many prominent collections, including The Royal Collection at Buckingham Palace.
This painting is a rare oil, as he mainly painted in watercolour. The horses are depicted in profile, with the classical grace of a horse on the Parthenon frieze or a Stubbs. The pose conveys their elegant configuration, fine musculature and glossy coats. The desert setting is painted more broadly, as a strong backdrop in beautiful tones of blue with flecks of gold on the sunlit sky, so as not to detract from the visual impact of the powerful horses.
The coats of the three horses draw the viewer in to these magnificent animals. Two of the main reasons western artists travelled to the Middle East was for the strong light and the brilliant colours, both of which Bird uses to full effect in this scene.
Bryan De Grineau The Land Speed Record Gouache, signed, dated 1927
by Darnley Fine ArtBryan De Grineau
1883 – 1957The Land Speed Record
Gouache, signed, dated 1927 lower left and stamped lower right
Image size: 14 x 15 1/4 inches
Hand made Art Deco frameThe Sunbeam 1000 HP Mystery, is a land speed record-breaking car built by the Sunbeam car company of Wolverhampton that was powered by two aircraft engines.
It was the first car to travel at over 200 mph. The car's last run was a demonstration circuit at Brooklands, running at slow speed on only one engine. It is today on display at the Heritage Motor Center at Gaydon, having been presented to the National Motor Museum by Sunbeam in 1958
Norman Wilkinson CBE PRI Rhuddlan Castle Oil on Canvas – POA
by Darnley Fine ArtNorman Wilkinson CBE PRI
1878 – 1971
RHUDDLAN CASTLE
Oil on canvas, signed lower right
Image size: 30 x 45 inches (76 x 114 cm)
Hand made frameProvenance
Commissioned by London, Midland & Scottish Railway 1929
Private CollectionSir Norman Wilkinson was a successful marine painter and illustrator. He was also responsible for developing the concept of “dazzle camouflage” for British warships during the First World War. But it was as a poster artist that he reached his highest artistic level.
In 1905, Wilkinson was commissioned by the London and North Western Railways to produce a poster advertising their rail/steam link to Ireland. Recognising the opportunity to create a new approach to railway poster design, he depicted the product as just one element of a broader landscape. It was the first time this had been done and its revolutionary concept was an important influence in the development of the pictorial poster.
He went on to organise the celebrated commissioning of poster designs from members of the Royal Academy for the London Midland and Scottish Railway company in the 1920s. Wilkinson believed that art should play an important part in advertising. His posters were well-planned and executed in broad tones of colour with a skilful use of black to strengthen the design. He was, in his words, “the father and mother of the artistic poster on English railway stations”
Rhuddlan Castle is a castle located in Rhuddlan, Denbighshire, Wales. It was erected by Edward I in 1277 following the First Welsh War. A popular tourist destination, it was ideal to use as a lure for people to travel to for their holidays.
Wilkinson brings into the painting simplicity of the forms and the use of regular shapes, which clearly defined by light recalls paintings by the Renaissance artists. Using broad areas of colour the work depicts an overall pictorial coherence and makes sense in terms of paint of the light and movement in the landscape. The public were amazed on seeing these new works as Wilkinson was breaking new ground in his style of painting.
The light breaks across the field in front of the castle, almost highlighting its importance in the landscape. Brilliantly atmospheric, the large clouds and reflections in the water set up a tension between the illusion of space and depth. Adding the cattle to the painting helps to give a sense of scale to the landscape and dashes of colour.
19th Century Oil Painting of Girl with Rose
by Aeology19th Century Oil Painting of Girl with Rose
Circa 1890Product Details
Circa Date : 1890
Materials : Oil Painting
Country of Origin : France
Condition Report : In good condition with some minor blemishes from age.
Size 163 cm H x 91 cm WDescription
Large Oil Painting of a Young French Girl holding a Rose and standing with her arm on a table. She wears a white dress typical of the period and leather lace-up boots. The painting is unsigned. When I bought it it was unframed and so I have had a frame custom made for the painting.
The back of the painting shows a number of old patch repairs to the canvas.
Circa 1880-1900 From France.
Measures 64 inches high x 36 wide
In good condition with some minor blemishes from age.Prisoner of War Straw Picture
by AeologyPrisoner of War Straw Picture
Circa 1840
Product DetailsCirca Date : 1840
Materials : Other
Country of Origin : France
Dim 51 cm H x 58 cm WDescription
Framed Straw-Work Picture from France of a Harbour Scene showing local buildings, people in 19th century costume and small sailing craft. Pictures like this were traditionally made by prisoners of war, or else sailors on long voyages, using straw from their mattresses and glue from boiling the bones of fish. The picture is in its original frame and glazing. Measures 23 inches wide x 20 high. Circa 1840-1860
A Superb Set of 12 Ferns by E.J. Lowe
by Christopher Hall AntiquesA Superb Set of 12 Ferns by E.J. Lowe
A Superb Set of 12 Ferns by E.J. Lowe
A set of twelve hand coloured ferns by E.J. Lowe dating from 1868. Presented in bespoke Italian frames behind white water glass which cuts reflection and affords some protection to the prints.Dimensions: 28 cm H x 18 cm W
Ref: 00594 Price: £1400.00
French Early 20th Century Poster
by Christopher Hall AntiquesFrench Early 20th Century Poster
French Early 20th Century Poster
A 20th century poster depicting a fashion house factory in France.
Dimensions: 80cm h X 66cm w
Ref: 00546 Price: £295.00
Chalk Drawing of a Boy
by Christopher Hall AntiquesChalk Drawing of a Boy
Chalk Drawing of a Boy
20th century chalk drawing of a young man. Wonderful composition and colour.
Dimensions: Framed size 120cm h x 97cm w
Ref: 00527 Price: £480.00
Denby Dale Viaduct Oil Painting by Hudson
by Patricia & Victoria HarveyDenby Dale Viaduct Oil Painting by Hudson
Circa 1920Product Details
Circa Date : 1920
Materials : Oil Painting
Country of Origin : English
Designer/ made by : Hudson
Condition Report : Very good .
Size 62 cm H x 80 cm WDescription
Denby Dale Viaduct Oil Painting by Hudson, lovely scene.
Antique 18th Century Pictures Hand Coloured Botanical Plates
by Patricia & Victoria HarveyAntique 18th Century Pictures Hand Coloured Botanical Plates
Circa 1800Product Details
Circa Date : 1800
Materials : Paper
Colour : Mixed
Country of Origin : Continental
Condition Report : Good .
Size 39 cm H x 28 cm WDescription
Lovely 18th Century antique hand coloured botanical plates
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