Latest Finds of Decorative Antiques and Mid-Century Design
Our latest finds comprises of antiques, mid-century, vintage and decorative pieces from around the world by well-known and trusted boutiques. Keep an eye out on this page for new pieces that are introduced daily. You are sure to find that something special you are looking for.
Antique Regency Mahogany Wine Cooler Cellarette
by InteriorBoutiquesA beautifully made and rare original antique Georgian period wine cooler. This dates from around 1800-1810 period.
It is of excellent quality and is in superb original condition. We have cleaned and given it a wax polish, there is only some old wear to be seen here and there.
This has ebony inlays, flame mahogany panels, beautifully carved hairy paw feet, a strong looking reeded bottom edge and carrying handles on the side. The original metal lined interior is present, with surface wear as would be expected from 200 years of use!
Width – 30 inches , 76 cm
Depth – 19 inches , 48 cm
Height – 20 inches , 50 cm
Pair of Antique Swedish Leather Armchairs
by InteriorBoutiquesA gorgeous and very comfortable pair of antique leather armchairs. These were made in Sweden, they date from around the 1890-1910 period.
They are of amazing quality, with thick full grain original leather upholstery, with some fabulous surface textures. The condition is excellent for their age, we have had the leather hand coloured and revived by our leather restorer. There is just some minor old surface wear to the leather, with no rips or repairs. They have plenty of character & a wonderful original colour
These chairs sit on thick solid wood tapered legs, with very solid frames and have well sprung seat bases.
Width – 33 inches , 84 cm
Depth – 29 inches , 74 cm
Height – 29 inches , 74 cm
Seat height – 16 inches , 41 cm
PROMETHEUS By Huw Griffith
by Huw GriffithPROMETHEUS
By Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 14.75 x 12.5 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
COLORE DELLA TELECORE By Huw Griffith
by Huw GriffithCOLORE DELLA TELECORE
By Huw GriffithCollage: 19th Century French ephemera, film posters
from ‘30s, ‘40s & ‘50s, graphite crayons and
household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 20.5 x 24 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
SOME ARE BORN TO ENDLESS NIGHT By Huw Griffith
by Huw GriffithSOME ARE BORN TO ENDLESS NIGHT
By Huw GriffithThe Artist has given the option to hang this artwork portrait or landscape.
Collage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 15.5 x 20 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
IF I COULD SEE THE PUPPETS DALLYING By Huw Griffith
by Huw GriffithIF I COULD SEE THE PUPPETS DALLYING
By Huw GriffithCollage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 18 x 24 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
TILL SOME BLIND HAND SHALL BRUSH MY WING By Huw Griffith
by Huw GriffithTILL SOME BLIND HAND SHALL BRUSH MY WING
By Huw GriffithCollage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 21 x 15 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
PARASOL 13 By Artist Huw Griffith
by Huw GriffithPARASOL 13
By Artist Huw GriffithCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size cm 78W x 64cm H x 2.5cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
MARCO MARIANI By Artist Huw Griffith
by Huw GriffithMARCO MARIANI
By Artist Huw GriffithCollage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 59cm W x 65cm H x 3cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
MANUSCRIPT 449 By Artist Huw Griffith
by Huw GriffithMANUSCRIPT 449
By Artist Huw Griffith
COLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 26cm W x 32cm H x 3cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
REMNANTS 14 Medium Abstract Collage by Artist Huw Griffith
by Huw GriffithREMNANTS 14
Medium Abstract Collage by Artist Huw Griffith
DECOLLAGE: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards.
Size 97 cm W X 88.5 cm H x 5 cm D
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.If you require any further assistance or would like a delivery quote please do not hesitate to get in contact
DEFIANCE By Artist Huw Griffith
by Huw GriffithDEFIANCE
By Artist Huw Griffith
COLLAGE: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 39.5cm W x 45cm H x 3cm D
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
BEHOLD THE GODS By Huw Griffith
by Huw GriffithBEHOLD THE GODS
By Artist Huw Griffith
COLLAGE: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 36cm W x 31cm H x 2.5cm D
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
Modernist “Curve Bench” by Nina Moeller Designs
by InteriorBoutiquesA stunning and absolutely top quality design, this is the wooden Curve Bench, made by Nina Moeller designs.
These are designed with a very slight curve, and can be placed next to each other to make even longer continuous benches. They are versatile, and can be arranged in a number of patterns. In a large enough room, these can be put together to make a huge circle! These are perfect for public spaces such as lobbies, galleries, reception areas or libraries. Price advertised is for one bench.
We have a number of these, so do enquire if you are interested in more than one
Antique French Inlaid Marquetry Marble Top Commode
by InteriorBoutiquesA stunning French antique marble top three drawer commode chest, dating from around the 1850-70’s period.
It is of fine quality, and is beautifully inlaid with various woods. The inlay work is amazing throughout, there is parquetry on the sides, floral marquetry on the front, and various bordered patterns and cross banding throughout. There are well cast gilt bronze mounts all over & on the legs. The quality of the gilt bronze handles & escutcheons are also excellent. The drawers have fine dovetails.
The original rouge marble top is very thick and heavy, with a wonderful colour. We have had this commode revived & polished, it is in excellent condition for its age.
Width – 48 inches , 122 cm
Depth – 22 inches , 56 cm
Height – 35 inches , 89 cm
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