- out of stock
Pair of Vintage Leather Armchairs in the Manner of Vladimir Kagan
by InteriorBoutiquesAn amazing pair of vintage armchairs with an absolutely stunning design. They are highly influenced by Vladimir Kagan’s ‘Contour’ armchairs, though we are not sure who made these.
They are of amazing quality, with finely sculpted solid wood frames, and generous leather seats. They are also extremely comfortable!
We have had the wood frames stripped and re-polished to a very high standard. We have also had the leather seats revived and polished, they are also in great condition with just some minor wear here and there. There is a very small repair to the leather on the back of one chair, seen in the images.
Width – 74 cm , 29 inches
Depth – 97 cm , 38 inches
Height – 94 cm , 37 inches
Seat height – 39 cm , 15 inches - out of stock
Antique Regency Mahogany Wine Cooler Cellarette
by InteriorBoutiquesA beautifully made and rare original antique Georgian period wine cooler. This dates from around 1800-1810 period.
It is of excellent quality and is in superb original condition. We have cleaned and given it a wax polish, there is only some old wear to be seen here and there.
This has ebony inlays, flame mahogany panels, beautifully carved hairy paw feet, a strong looking reeded bottom edge and carrying handles on the side. The original metal lined interior is present, with surface wear as would be expected from 200 years of use!
Width – 30 inches , 76 cm
Depth – 19 inches , 48 cm
Height – 20 inches , 50 cm - out of stock
DREADNOUGHT By Artist Huw Griffith
by Huw GriffithON HOLD
DREADNOUGHT
By Artist Huw GriffithThe Artist has given the option to hang this artwork portrait or landscape.
COLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 15.5.x 18.5 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
THEN AM I A HAPPY FLY By Huw Griffith
by Huw GriffithTHEN AM I A HAPPY FLY
By Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 16 x 13 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
PROMETHEUS By Huw Griffith
by Huw GriffithPROMETHEUS
By Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 14.75 x 12.5 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
COLORE DELLA TELECORE By Huw Griffith
by Huw GriffithCOLORE DELLA TELECORE
By Huw GriffithCollage: 19th Century French ephemera, film posters
from ‘30s, ‘40s & ‘50s, graphite crayons and
household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 20.5 x 24 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
SOME ARE BORN TO ENDLESS NIGHT By Huw Griffith
by Huw GriffithSOME ARE BORN TO ENDLESS NIGHT
By Huw GriffithThe Artist has given the option to hang this artwork portrait or landscape.
Collage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 15.5 x 20 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
IF I COULD SEE THE PUPPETS DALLYING By Huw Griffith
by Huw GriffithIF I COULD SEE THE PUPPETS DALLYING
By Huw GriffithCollage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 18 x 24 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
PARASOL 14 By Artist Huw Griffith
by Huw GriffithPARASOL 14
By Artist Huw GriffithCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 88cm W x 72.5cm H x 3.5cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
PARASOL 13 By Artist Huw Griffith
by Huw GriffithPARASOL 13
By Artist Huw GriffithCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size cm 78W x 64cm H x 2.5cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
MARCO MARIANI By Artist Huw Griffith
by Huw GriffithMARCO MARIANI
By Artist Huw GriffithCollage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 59cm W x 65cm H x 3cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
This Artwork Is On Display and for sale at Marylebone Antiques, 8 Church St, Marylebone, London, NW8 8ED
- out of stock
MANUSCRIPT 449 By Artist Huw Griffith
by Huw GriffithMANUSCRIPT 449
By Artist Huw Griffith
COLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 26cm W x 32cm H x 3cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
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