Manus Dei 1 Large Collage By Huw Griffith
by Huw GriffithManus Dei 1
Large Collage By Huw GriffithOne of two large collages depicting 'The Hand of God'.
Reworked large South American film posters/billboards.
Assorted vintage papers and Graphite paint and pencils.Size
134cm H x 134cm W x 4cm D
LA MUJER Abstract Collage by Artist Huw Griffith
by Huw GriffithLA MUJER
Large Abstract Collage by Artist Huw Griffith.
COLLAGE: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
La Mujer means ‘The Woman’ in Spanish – title an imaginary film title
Size 162 cm Wide x 140 cm High x 3.5 cm Deep.
Remnants Series by Artist Huw Griffith
by Huw GriffithRemnants
Abstract Collage by Artist Huw Griffith
DECOLLAGE: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards.
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
REMNANTS By Artist Huw Griffith
by Huw GriffithLarge Decollage
REMNANTS
By Artist Huw GriffithLarge Decollage: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Griffith depicts the passage of time by layering his materials – fragile ephemera marked by age.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards
Size
134cm Wide X 134cm High X 4cm DeepHuw takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.This Artwork Is On Display and for sale at Marylebone Antiques, 8 Church St, Marylebone, London, NW8 8ED
El Corozan de Africa by Artist Huw Griffith
by Huw GriffithInspired by vintage travel posters.
A collage composed out of the remnants of old Spanish film posters and antique paper.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs.
He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.Height:48 cm
Width: 66 cm
Depth: 2.5 cm
Marino Massey By Artist Huw Griffith
by Huw GriffithMarino Massey
Abstract Collage By Artist Huw Griffith.
Collage composed out of 1950's Spanish film posters, blackboard paint & beeswax.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 45.5cm H x 56cm W x 2cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
If you require any further assistance or would like a delivery quote please do not hesitate to get in contact
He whose Face Gives no Light By Artist Huw Griffith
by Huw GriffithHe whose Face Gives no Light
Abstract Collage By Artist Huw Griffith.
Collage composed out of 1950's Spanish film posters.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 39.5cm H x 47cm W x 5cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
Golden Apples of the Sun By Artist Huw Griffith
by Huw GriffithGolden Apples of the Sun
Abstract Collage By Artist Huw Griffith.
Collage composed out of 1950's Spanish film posters.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 64cm H x 48.5cm W x 3.5cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
If you require any further assistance or would like a delivery quote please do not hesitate to get in contact
Battlecry Abstract Collage By Artist Huw Griffith
by Huw GriffithBattlecry
A collage depicting the emancipation of women in society.
A bold and stark image should indeed provoke a reaction.
Griffith grew up in an all women household.
His mother was a strong influence and and a feminist.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 78cm H x 67cm W x 3cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
If you require any further assistance or would like a delivery quote please do not hesitate to get in contact
Clutch Bag Abstract Collage By Artist Huw Griffith
by Huw GriffithA humorous and preposterous collage depicting a meteorite and a clutch bag in the manner of a commercial advertisement.
Composed from Spanish posters from the 1940's.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 70cm H x 83cm W x 2.5cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
If you require any further assistance or would like a delivery quote please do not hesitate to get in contact
OH BROTHER Abstract Collage By Artist Huw Griffith
by Huw GriffithOH BROTHER
By Artist Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 41 X 35 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
If you require any further assistance or would like a delivery quote please do not hesitate to get in contact
CREDE SANS By Huw Griffith
by Huw GriffithCREDE SANS
By Artist Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 27.5 X 31.5 inches.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
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