Latest Finds of Decorative Antiques and Mid-Century Design
Our latest finds comprises of antiques, mid-century, vintage and decorative pieces from around the world by well-known and trusted boutiques. Keep an eye out on this page for new pieces that are introduced daily. You are sure to find that something special you are looking for.
Gabriel Vie Oil on Canvas Painting
by InteriorBoutiquesGabriel Vie Oil on Canvas Painting
Gabriel Vie (1888- 1973) signed oil on canvas
Circa 1930
Size 65 x 50
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Twin Drawer Motoring Trunk by Hall du Voyage of Rue des Pyramides C1890
by InteriorBoutiquesTwin Drawer Motoring Trunk by Hall du Voyage of Rue des Pyramides
circa 1890
Dimensions w:82 cm d:49 cm h:38 cm
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Antique Swedish Satin Birch Secretaire Chest
by InteriorBoutiquesAntique Swedish Satin Birch Secretaire Chest
This antique Swedish satin birch secrétaire chest has a wonderful original colour & it has one of the nicest interiors I've ever seen.
I would date it to around the 1880s period and is in excellent original condition. This secretaire chest is very fine quality throughout and is in good condition, full of character with interesting features. The wood is predominately satin birch with ebonised columns on the sides. The inside of the writing section is stunning, with many different sized drawers & cupboard.Please enlarge all the images to appreciate the many fine features.
Size 105.5 cm W x 119.5 cm H x 45 cm D
If you require any further assistance or would like a delivery quote please do not hesitate to get in contact
Leather & Chrome Swivel Armchair Vintage
by InteriorBoutiquesA fabulous and very large vintage leather swivel armchair. This dates from around the 1960-70’s.
It has generous proportions, and is super comfortable to relax in. The quality of build is excellent, and it’s in very good condition for its age. The leather was a little distressed with one or two repairs. We have since had this hand coloured and revived by our leather restorer. There are no rips or tears visible.
It swivels on a splayed chrome plated base. The chrome has various signs of surface wear and chipping here and there, seen in the images. This has lots of patina and a gorgeous colour.
Width – 82 cm , 32 inches
Depth – 38 inches , 97 cm
Height – 36 inches , 92 cm
Seat height – 16 inches , 41 cm
Antique Deep Buttoned Leather Chesterfield Sofa
by InteriorBoutiquesA large and impressive antique deep buttoned leather Chesterfield sofa. This dates from around the 1930’s period.
The quality is top notch, this is larger and much deeper than most Chesterfields we get. It is deep buttoned all over & is well sprung with horse hair filling, this is also very comfortable to sit in. Due to the quality of construction, it is extremely heavy!
We have just had it hand coloured and revived by our leather restorer. There is just one small repair to the leather just above one armrest, seen in the images. It has been very well done, so is hardly noticeable at all.
Width – 89 inches , 226 cm
Depth – 39 inches , 100 cm
Height – 29 inches , 74 cm
Seat height – 16 inches , 41 cm
Antique Deep Buttoned Leather Wing Back Armchair
by InteriorBoutiquesAn absolutely stunning antique leather wing back armchair on a solid mahogany base. This is of the utmost quality, it dates from the 1900-1920 period & is Chippendale style.
The design is gorgeous, with a humped back and shapely sides, deep buttoning, hand tacking & it looks fantastic from all angles.
This has horse hair stuffing, the original leather upholstery has been hand coloured and revived by our leather restorer. The condition is amazing, with a beautiful rich colour and patina. The solid mahogany stretchered base has also been re-polished and is in excellent condition too.
Width – 35 inches , 90 cm
Depth – 28 inches , 72 cm
Height – 44 inches , 112 cm
Seat height – 17 inches , 44 cm
REMNANTS 13 Medium Abstract Collage by Artist Huw Griffith
by Huw GriffithMedium Abstract Collage by Artist Huw Griffith
DECOLLAGE: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards.
Size 39 X 35 inches
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
Medium Abstract Collage by Artist Huw Griffith
by Huw GriffithMedium Abstract Collage by Artist Huw Griffith
DECOLLAGE: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards.
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
REMNANTS 15 Medium Abstract Collage by Artist Huw Griffith
by Huw GriffithMedium Abstract Collage by Artist Huw Griffith
DECOLLAGE: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards.
Size 39 X 35 inches
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
Antique French Tole Floor Lamp & Shade
by InteriorBoutiquesAntique early Tole floor lamp stand & original matching shade in an ivory colour, dating from around the 1900-1920 period, all in good original condition with some natural age related marks on the base.
Please enlarge all the images to see all the fabulous details, like the decoration on the shade & the cherub on the top. Plus, the brass eagle heads under the tole candle holders, the decorated stand with shell motifs on the base & the paw feet. There are many other fine details on this lamp of which there are too many to mention.
I’ve never come across a tole lamp stand like this with the original shade & with everything intact. There are many tole wear table lamps, but not complete floor lamps. This one has just been re-wired, so is in working order.
Width shade – 20 inches, 51 cm
Width base – 13 inches, 34 cm
Height – 66 inches, 168 cm
Pair of Large Vintage 1960’s Glass Chandeliers by Doria Leuchten
by InteriorBoutiquesA stunning pair of vintage glass and chrome chandeliers, these were made in Germany in the 1960’s by Doria Leuchten. They are of fabulous quality, they’re very large and impressive. These came straight out of the London home of a very famous Hollywood actor, we don’t want to publicly announce the name but feel free to enquire and we’ll tell you! The frame is chromed steel, with long hanging rectangular glass attachments. All is in excellent vintage condition, just a few of the glass pieces have extremely tiny imperceptible chips on the lower edges. The chrome frames are attached by chains to the rosettes, the chain can be shortened or lengthened to suit the height of your room. They can be extended by a great deal and can drop down over two meters, large enough to look great on an extremely high ceiling if needed! They are both in good working order and have the makers label inside the rosettes.
Width – 49 cm , 19 inches
Depth – 49 cm , 19 inches
Height of main chandelier – 74 cm , 29 inches
Height from rosette as seen in images – 115 cm , 45 inches
Max height – 215 cm , 85 inches
1954 Vintage Plexiglass Moss Floor Lamp
by InteriorBoutiquesA superb and rarely seen original “Moss” lamp, with the original makers mark and date of manufacture seen beneath the base. It dates from 1954, and is in remarkable condition for its age.
The black and white plexiglass is clean and free from damage. The central shaft has a layer of decorated parchment on either side. Inside the shaft is a long halogen bulb, so this lights up from the inside giving an amazing effect. There is also a regular screw in edison bulb fitting at the top, this has two switches so the top bulb and internal light can be switched on separately.
This is in good working order, and has been PAT tested for safety. We have paired this with a fantastic rattan shade, which we feel compliments it very well. You can add your own shade if you prefer, it is easily changed.
Width without shade – 56 cm , 22 inches
Width including shade – 66 cm , 26 inches
Depth – 33 cm , 13 inches
Height to socket – 124 cm , 49 inches
Height to shade – 137 cm , 54 inches
COLORSCOPI By Artist Huw Griffith
by Huw GriffithCOLORSCOPI By Artist Huw Griffith
COLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 20 X 25 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
KLAUS By Artist Huw Griffith
by Huw GriffithKLAUS
By Artist Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 19 X 26 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
LA FLORIDA By Artist Huw Griffith
by Huw GriffithLA FLORIDA By Artist Huw Griffith
COLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 21.5 X 27 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
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