

Erebus Carved Wood Mixed Media Art by Jacob Hendrik
by InteriorBoutiquesErebus Carved Wood Mixed Media by Jacob Hendrik
Jacob Hendrik's art is a conversation—a dialogue between his hands, his materials and fire. He is drawn to the raw, imperfect beauty of things that have endured, the interplay between creation and destruction, order and chaos, light and dark. As a young photographer, Hendrik was obsessed with “Urban Decay,”a concept where one would find beauty in abandoned train stations, hospitals and houses lost to time. Decaying surfaces, peeling paint, intricate mould growing on surfaces became a source of passion and inspiration which can be seen in his work today.
His process begins with Shou Sugi Ban, an ancient Japanese technique of charring wood. For Hendrik, this process is not a destructive force but a collaborative one that reveals the raw, primal texture of the material. The fire becomes a partner in creation, revealing a richness in the wood's grain that was always there, waiting to be seen. Over this dark, scarred foundation, he lays delicate layers of Hanji paper, a material chosen for its history and remarkable resilience. The Hanji acts as a veil, softening the intensity and inviting a closer look. What the viewer sees is not just the paper, but the quiet, ghost-like impression of the burnt surface underneath. It’s a testament to the idea that our past, with all its imperfections, is always present and can be a source of unexpected beauty.
The recurring circles in Hendrik's work are a personal symbol. They represent the endless cycles of life—the pain and the joy, the endings and the new beginnings. He believes true wholeness is not found in a perfect, linear path, but in our ability to embrace the full circle of our experience. Through this process, he hopes his pieces can offer a quiet space for contemplation, a reminder that even from chaos, something beautiful can emerge.
Size
1685 × 1380 × 30mm

Concrete Carved Wood Mixed Media by Jacob Hendrik
by InteriorBoutiquesConcrete Carved Wood Mixed Media by Jacob Hendrik
Jacob Hendrik's art is a conversation—a dialogue between his hands, his materials and fire. He is drawn to the raw, imperfect beauty of things that have endured, the interplay between creation and destruction, order and chaos, light and dark. As a young photographer, Hendrik was obsessed with “Urban Decay,”a concept where one would find beauty in abandoned train stations, hospitals and houses lost to time. Decaying surfaces, peeling paint, intricate mould growing on surfaces became a source of passion and inspiration which can be seen in his work today.
His process begins with Shou Sugi Ban, an ancient Japanese technique of charring wood. For Hendrik, this process is not a destructive force but a collaborative one that reveals the raw, primal texture of the material. The fire becomes a partner in creation, revealing a richness in the wood's grain that was always there, waiting to be seen. Over this dark, scarred foundation, he lays delicate layers of Hanji paper, a material chosen for its history and remarkable resilience. The Hanji acts as a veil, softening the intensity and inviting a closer look. What the viewer sees is not just the paper, but the quiet, ghost-like impression of the burnt surface underneath. It’s a testament to the idea that our past, with all its imperfections, is always present and can be a source of unexpected beauty.
The recurring circles in Hendrik's work are a personal symbol. They represent the endless cycles of life—the pain and the joy, the endings and the new beginnings. He believes true wholeness is not found in a perfect, linear path, but in our ability to embrace the full circle of our experience. Through this process, he hopes his pieces can offer a quiet space for contemplation, a reminder that even from chaos, something beautiful can emerge.
Size
300 × 200 × 30mm

Cipher Carved Wood Mixed Media by Jacob Hendrik
by InteriorBoutiquesCipher Carved Wood Mixed Media by Jacob Hendrik
Jacob Hendrik's art is a conversation—a dialogue between his hands, his materials and fire. He is drawn to the raw, imperfect beauty of things that have endured, the interplay between creation and destruction, order and chaos, light and dark. As a young photographer, Hendrik was obsessed with “Urban Decay,”a concept where one would find beauty in abandoned train stations, hospitals and houses lost to time. Decaying surfaces, peeling paint, intricate mould growing on surfaces became a source of passion and inspiration which can be seen in his work today.
His process begins with Shou Sugi Ban, an ancient Japanese technique of charring wood. For Hendrik, this process is not a destructive force but a collaborative one that reveals the raw, primal texture of the material. The fire becomes a partner in creation, revealing a richness in the wood's grain that was always there, waiting to be seen. Over this dark, scarred foundation, he lays delicate layers of Hanji paper, a material chosen for its history and remarkable resilience. The Hanji acts as a veil, softening the intensity and inviting a closer look. What the viewer sees is not just the paper, but the quiet, ghost-like impression of the burnt surface underneath. It’s a testament to the idea that our past, with all its imperfections, is always present and can be a source of unexpected beauty.
The recurring circles in Hendrik's work are a personal symbol. They represent the endless cycles of life—the pain and the joy, the endings and the new beginnings. He believes true wholeness is not found in a perfect, linear path, but in our ability to embrace the full circle of our experience. Through this process, he hopes his pieces can offer a quiet space for contemplation, a reminder that even from chaos, something beautiful can emerge.
Size
1225 × 1000 × 30mm

Large REMNANTS Abstract Collage by Artist Huw Griffith
by Huw GriffithREMNANTS
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards.
Large Abstract Collage by Artist Huw Griffith
DECOLLAGE: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.Size
Width – 140 cm
Depth – 4 cm
Height – 140 cmWe Have Artwork On Display and for sale in London, Please Contact for full details


THE NON CONFORMIST By Huw Griffith
by Huw GriffithTHE NON CONFORMIST
By Huw GriffithFrom the Fieldwork Collection.
The inspiration taken from early Ariel photographs and plans.Collage Artwork
Antique papers, remnants of early 20th Century European stone lithograph film posters, graphite crayons and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size
73cm H x 59cm W x 5cm D

NORMANDIE Abstract Collage By Huw Griffith
by Huw GriffithNORMANDIE
Abstract Collage
By Huw GriffithAntique papers, remnants of early 20th Century European stone lithograph film posters, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size
Width – 38.5cm
Depth – 2cm
Height – 53cm

Cordobes Abstract Collage By Huw Griffith
by Huw GriffithCordobes Abstract Collage By Huw Griffith
Abstract CollageAntique papers, remnants of early 20th Century European stone lithograph film posters, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size
Width – 87cm
Depth – 5cm
Height – 72cm

RIVO E’ L’AMOR CHE Abstract Collage By Huw Griffith
by Huw GriffithRIVO
E’ L’AMOR CHE
Abstract Collage
By Huw GriffithAntique papers, remnants of early 20th Century European stone lithograph film posters, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size
Width – 36cm
Depth – 2cm
Height – 31cm

O ICARUS, OF THE FEARLESS FLIGHT
by Huw GriffithO ICARUS, OF THE FEARLESS FLIGHT
By Huw Griffith
COLLAGE: Antique papers, remnants of early 20th Century European stone lithograph film posters, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size
63cm H x 75cm W x 6cm D

By Artist Huw Griffith, From the Parasol Series
by Huw GriffithFrom the Parasol Series
By Artist Huw Griffith
We Have Artwork On Display and for sale in London, Please Contact for full details
COLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size
Width – 75cm
Depth – 2cm
Height – 60cmThe artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.

UNA RAZA INDOMITA By Huw Griffith
by Huw GriffithUNA RAZA INDOMITA
By Huw Griffith
COLLAGE: Antique papers, remnants of early 20th Century European stone lithograph film posters, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size
Width – 79cm
Depth – 5cm
Height – 96cm

Portrait Of A Young Woman Oil On Panel, Signed A. Mårtensson
by InteriorBoutiquesPortrait Of A Young Woman
Oil On Panel,
Signed A. Mårtensson
Circa date 1950
Size
50cm x 55cm
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