JORGE Y CARMEN By Artist Huw Griffith
by Huw GriffithJORGE Y CARMEN
Collage: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
De SAFO By Artist Huw Griffith
by Huw GriffithDe SAFO
Collage: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Out of the Cradle By Artist Huw Griffith
by Huw GriffithOut of the Cradle
Collage: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Antique Oil on Panel Portrait of a Gentleman
by InteriorBoutiquesEnglish school circa 1820,
A portrait of a gentleman,
oil on panel in a period frame.
Size 9 1/2 in x 8 in,
Oil Painting Portrait of a Young Woman
by InteriorBoutiquesErnest Faut, signed, 1879 – 1961, Belgian.
A bust portrait of a young woman,
oil on board or panel
Size 8 in x 6 1/2 in,
Interior with Elegant Figures in Costume Watercolour
by InteriorBoutiquesCirca 1900 continental school,
Watercolour.
An interior with elegant figures in 17th century costume,
Size 4 1/2 in x 3 1/2 in,
View of the Bay of Naples, Watercolour and Guache
by InteriorBoutiquesMaria Gianni, signed, circa 1920
A view of the bay of Naples with Mount Vesuvius in the background,
watercolour and guache.
Size 6 1/4 in x 11 1/4 in,
The Space Within by Arlene Sharp 2
by InteriorBoutiquesThe Space Within 2
Mixed media on canvas panel 56 x 46 cm
Size
56 x 46 cmMy work is inspired by the natural world, by landscape and organic form. My interests lie in how we see and experience this world, and how I can translate these ways of seeing into painting. Gathering visual information through walking, sketching and photography my semi-abstract paintings are built through layers of paint and collage. Juggling space, form, colour and light, these paintings may move away from observed reality but their origins are always grounded in the truth as I see it.
The Space Within by Arlene Sharp
by InteriorBoutiquesThe Space Within
Mixed media on paper mounted on board
Size
68 x 48 cmMy work is inspired by the natural world, by landscape and organic form. My interests lie in how we see and experience this world, and how I can translate these ways of seeing into painting. Gathering visual information through walking, sketching and photography my semi-abstract paintings are built through layers of paint and collage. Juggling space, form, colour and light, these paintings may move away from observed reality but their origins are always grounded in the truth as I see it.
Manus Dei 1 Large Collage By Huw Griffith
by Huw GriffithManus Dei 1
Large Collage By Huw GriffithOne of two large collages depicting 'The Hand of God'.
Reworked large South American film posters/billboards.
Assorted vintage papers and Graphite paint and pencils.Size
134cm H x 134cm W x 4cm D
LA MUJER Abstract Collage by Artist Huw Griffith
by Huw GriffithLA MUJER
Large Abstract Collage by Artist Huw Griffith.
COLLAGE: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
La Mujer means ‘The Woman’ in Spanish – title an imaginary film title
Size 162 cm Wide x 140 cm High x 3.5 cm Deep.
Remnants Series by Artist Huw Griffith
by Huw GriffithRemnants
Abstract Collage by Artist Huw Griffith
DECOLLAGE: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards.
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
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