Remnants by Artist Huw Griffith
by Huw GriffithRemnants
Abstract Collage by Artist Huw Griffith
DECOLLAGE: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards.
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
REMNANTS By Artist Huw Griffith
by Huw GriffithLarge Decollage
REMNANTS
By Artist Huw GriffithLarge Decollage: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Griffith depicts the passage of time by layering his materials – fragile ephemera marked by age.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards
Size
134cm Wide X 134cm High X 4cm DeepHuw takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.This Artwork Is On Display and for sale at Marylebone Antiques, 8 Church St, Marylebone, London, NW8 8ED
Landscape with a House Near a Pond, Charles Morris, Oil on Canvas,
by InteriorBoutiquesCharles Morris Senior
1828 – 1870, signed
A landscape with a house near a pond with a figure seated on a log
oil on canvas
Size 21cm x 29cm
Portrait of a Girl with a Cat Oil on Canvas, Circa 1700
by InteriorBoutiquesManner of Antonio Amorosi
circa 1700
A bust length portrait of a girl with a cat
oil on canvas
Size
44cm x 34cmIn a hand carved frame
Girl Holding a Majolica Jar, Mario Miceletti, Oil on Board,
by InteriorBoutiquesOil on board
Girl holding a Majolica jar
C1930
Mario Miceletti
ebonised ripple frame
Size
44cm x 34cmEventide in the Trossacks oil on board J.S.Parton
by InteriorBoutiquesJ.S.Parton, signed
circa 1870
Eventide in the Trossacks
oil on board
Size 20cm x 24cm
Edwardian School, Monogrammed and Dated 1900, A River Landscape
by InteriorBoutiquesEdwardian school, monogrammed and dated 1900
A river landscape
oil on board
Size
15cm x 24cmEdwardian School, River Landscape
by InteriorBoutiquesEdwardian school
A river landscape
oil on board, laid to panel
Size 20cm x 30cm
Vintage Oil Painting by John Livesey ‘Nude With Flowers’ 1964
by InteriorBoutiquesA stunning original oil painting on board, by well known British artist John Livesey. This is signed and dated 1964, it is titled “Nude With Flowers”.
It is a lovely subject and is beautifully executed. The colours are vivid and striking, this is a large and impressive size.
The condition is excellent, with hardly any wear to be seen.
Width – 32 inches , 81 cm
Depth – 2 inches , 5 cm
Height – 46 inches , 117 cmPair of Antique Victorian Landscape Oil Paintings S Williams
by InteriorBoutiquesAn absolutely stunning pair of antique Victorian oil paintings in beautiful gilt wood frames. These are signed by the artist S. Williams, they date from around the 1880-1900 period.
The paintings are beautifully executed with incredible technique, they depict countryside scenes in the woods. They have beautiful colour tones and make a gorgeous pair. The gilt wood frames are equally beautiful and are of very fine quality.
The overall condition is very good for their age, the paintings have some very minor wear and patina on the very outer edges. The gilt wood frames also have some minor wear and distressing here and there, commensurate for age.
Width – 20 inches , 51 cm
Depth – 3 inches , 8 cm
Height – 28 inches , 72 cmAntique Oil Painting in Gilt Wood Frame
by InteriorBoutiquesAn absolutely gorgeous antique oil painting in a wonderful gilt wood frame. It likely dates from around the 1900-1920 period, possibly earlier. We are not sure of the origin, but the subjects look like Spanish women, so we would guess it to be Spanish. Having said that, maybe they are more Eastern or Russian. Difficult to judge. We would appreciate any opinions.
It is beautifully executed and has the artists signature in the bottom corner. The condition is great for its age, the painting is undamaged and the gilt wood frame just has some minor age related wear.
Width – 16 inches , 40 cm
Depth – 2 inches , 5 cm
Height – 18 inches , 46 cmPair of Antique Victorian Gilt Framed Oil Paintings by A. Collin
by InteriorBoutiquesAn absolutely stunning pair of antique oil paintings, dating from around the mid-late 1800’s. They are signed by the artist A. Collin, and are possibly German or Swiss, judging by the style of the clothing.
They are beautifully executed with amazing details and lovely subjects. The colours are gorgeous, and these are mounted in gilt wood frames of amazing quality.
The condition is excellent for their age, with some minor wear and patina here and there, commensurate for age.
Width – 15 inches , 39 cm
Depth – 2 inches , 5 cm
Height – 18 inches , 46 cm
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