Pair of Vintage Leather and Chrome Kohinoor Armchairs by Howard Keith
by InteriorBoutiquesA magnificent pair of vintage leather and chrome ‘Kohinoor’ swivel armchairs by Howard Keith. They were made in England, and date from the 1960’s.
These are extremely comfortable, and are of exceptional quality. They are well padded and supportive, they swivel smoothly on beautiful splayed chrome bases.
They were re-upholstered in this beautiful cream leather by the previous owner, they are in superb condition. There is just some incredibly minor wear on the back corners, seen in the images.
Width – 92 cm , 36 inches
Depth – 92 cm , 36 inches
Height – 92 cm , 36 inches
Seat height – 41 cm , 16 inches
1930s Walnut Bauhaus Desk
by InteriorBoutiques1930s Bauhaus desk in figured walnut attributed to Robert Slezak.
Chromed steel tube and walnut veneered wood.
Size
106cm L X 48cm d x 72cm high
Erebus Carved Wood Mixed Media Art by Jacob Hendrik
by InteriorBoutiquesErebus Carved Wood Mixed Media by Jacob Hendrik
Jacob Hendrik's art is a conversation—a dialogue between his hands, his materials and fire. He is drawn to the raw, imperfect beauty of things that have endured, the interplay between creation and destruction, order and chaos, light and dark. As a young photographer, Hendrik was obsessed with “Urban Decay,”a concept where one would find beauty in abandoned train stations, hospitals and houses lost to time. Decaying surfaces, peeling paint, intricate mould growing on surfaces became a source of passion and inspiration which can be seen in his work today.
His process begins with Shou Sugi Ban, an ancient Japanese technique of charring wood. For Hendrik, this process is not a destructive force but a collaborative one that reveals the raw, primal texture of the material. The fire becomes a partner in creation, revealing a richness in the wood's grain that was always there, waiting to be seen. Over this dark, scarred foundation, he lays delicate layers of Hanji paper, a material chosen for its history and remarkable resilience. The Hanji acts as a veil, softening the intensity and inviting a closer look. What the viewer sees is not just the paper, but the quiet, ghost-like impression of the burnt surface underneath. It’s a testament to the idea that our past, with all its imperfections, is always present and can be a source of unexpected beauty.
The recurring circles in Hendrik's work are a personal symbol. They represent the endless cycles of life—the pain and the joy, the endings and the new beginnings. He believes true wholeness is not found in a perfect, linear path, but in our ability to embrace the full circle of our experience. Through this process, he hopes his pieces can offer a quiet space for contemplation, a reminder that even from chaos, something beautiful can emerge.
Size
1685 × 1380 × 30mm
Concrete Carved Wood Mixed Media by Jacob Hendrik
by InteriorBoutiquesConcrete Carved Wood Mixed Media by Jacob Hendrik
Jacob Hendrik's art is a conversation—a dialogue between his hands, his materials and fire. He is drawn to the raw, imperfect beauty of things that have endured, the interplay between creation and destruction, order and chaos, light and dark. As a young photographer, Hendrik was obsessed with “Urban Decay,”a concept where one would find beauty in abandoned train stations, hospitals and houses lost to time. Decaying surfaces, peeling paint, intricate mould growing on surfaces became a source of passion and inspiration which can be seen in his work today.
His process begins with Shou Sugi Ban, an ancient Japanese technique of charring wood. For Hendrik, this process is not a destructive force but a collaborative one that reveals the raw, primal texture of the material. The fire becomes a partner in creation, revealing a richness in the wood's grain that was always there, waiting to be seen. Over this dark, scarred foundation, he lays delicate layers of Hanji paper, a material chosen for its history and remarkable resilience. The Hanji acts as a veil, softening the intensity and inviting a closer look. What the viewer sees is not just the paper, but the quiet, ghost-like impression of the burnt surface underneath. It’s a testament to the idea that our past, with all its imperfections, is always present and can be a source of unexpected beauty.
The recurring circles in Hendrik's work are a personal symbol. They represent the endless cycles of life—the pain and the joy, the endings and the new beginnings. He believes true wholeness is not found in a perfect, linear path, but in our ability to embrace the full circle of our experience. Through this process, he hopes his pieces can offer a quiet space for contemplation, a reminder that even from chaos, something beautiful can emerge.
Size
300 × 200 × 30mm
Cipher Carved Wood Mixed Media by Jacob Hendrik
by InteriorBoutiquesCipher Carved Wood Mixed Media by Jacob Hendrik
Jacob Hendrik's art is a conversation—a dialogue between his hands, his materials and fire. He is drawn to the raw, imperfect beauty of things that have endured, the interplay between creation and destruction, order and chaos, light and dark. As a young photographer, Hendrik was obsessed with “Urban Decay,”a concept where one would find beauty in abandoned train stations, hospitals and houses lost to time. Decaying surfaces, peeling paint, intricate mould growing on surfaces became a source of passion and inspiration which can be seen in his work today.
His process begins with Shou Sugi Ban, an ancient Japanese technique of charring wood. For Hendrik, this process is not a destructive force but a collaborative one that reveals the raw, primal texture of the material. The fire becomes a partner in creation, revealing a richness in the wood's grain that was always there, waiting to be seen. Over this dark, scarred foundation, he lays delicate layers of Hanji paper, a material chosen for its history and remarkable resilience. The Hanji acts as a veil, softening the intensity and inviting a closer look. What the viewer sees is not just the paper, but the quiet, ghost-like impression of the burnt surface underneath. It’s a testament to the idea that our past, with all its imperfections, is always present and can be a source of unexpected beauty.
The recurring circles in Hendrik's work are a personal symbol. They represent the endless cycles of life—the pain and the joy, the endings and the new beginnings. He believes true wholeness is not found in a perfect, linear path, but in our ability to embrace the full circle of our experience. Through this process, he hopes his pieces can offer a quiet space for contemplation, a reminder that even from chaos, something beautiful can emerge.
Size
1225 × 1000 × 30mm
Vintage Swedish Walnut Drinks Cabinet by Johan Byström
by InteriorBoutiquesAn absolutely stunning and extremely well made vintage Swedish walnut drinks cabinet by Johan Byström. This was recently imported from Sweden, it comes with an original framed makers certificate which is signed and dated from 1958.
The quality is exceptional, it is incredibly well constructed from walnut, displaying top notch joinery. It is stylish and useful, it is a great size offering lots of storage space yet not taking up too much room.
We have had this stripped and re-polished to a very high standard, the condition is superb.
Width – 94 cm , 37 inches
Depth – 43 cm , 17 inches
Height – 132 cm , 52 inches
Art Deco Figured Walnut Leather Top Desk
by InteriorBoutiquesA stunning original Art Deco figured walnut leather top desk. This was made in England, it dates from the 1930’s.
It has an unusual and stylish design, with a nice and compact size, the quality is absolutely amazing. One side is curved with open shelving and a two door cabinet on the side, there is an inset black leather writing surface. The other side has a bank of drawers with finely sculpted satin wood handles. The top drawer is a dummy drawer, and the top lifts up to reveal a divided pigeon hole compartment. The solid wood construction has beautiful figured Australian walnut veneers, giving a striking effect. This is also beautifully polished on the back, so can be used as a free standing item.
We have had this stripped and re-polished to a very high standard, the condition is superb for its age.
Width – 115 cm , 45 inches
Depth – 61 cm , 24 inches
Height – 74 cm , 29.5 inches
Knee height – 59 cm , 23.5 inches
Knee width – 55 cm , 22 inches
Art Deco Burr Walnut Cocktail Drinks Cabinet
by InteriorBoutiquesA magnificent Art Deco burr walnut cocktail drinks cabinet of the highest order. This was made in England, it dates from the 1930’s.
It has an absolutely stunning design with an overhanging top, beautifully fitted interior and some of the most amazing burr walnut grain patterns you are likely to see.
The top section is sycamore lined, with removable glass shelves, a mirrored base and mirrored pull out tray serving slide. The inside of the doors are complete with the original juicer and cocktail picks, there are also clips which are designed to hold cocktail glasses by the stems. The lower section also has a useful built in bottle rack.
The burr walnut doors are beautifully offset by banded walnut top, middle and lower edges, this has lovely walnut handles as well.
We have had this stripped and re-polished to a very high standard, the condition is absolutely immaculate throughout.
Width – 87 cm , 34 inches
Depth – 48 cm , 19 inches
Height – 165 cm , 65 inches
Art Deco Burr Walnut Cocktail Cabinet by Epstein
by InteriorBoutiquesAn absolutely stunning Art Deco burr walnut cocktail cabinet by Epstein. This was made in England, it dates from the 1930’s.
The quality is outstanding, this is beautifully designed in the typical Art Deco style. The top and bottom sections have fluted fronts with lovely moulded handles and stunning burr walnut grain patterns. The inside of the top is nicely fitted out in sycamore, with a mirrored back and two toughened glass shelves. There is a pull out mirrored serving slide the comes out from the middle, the lower cabinet is nicely fitted out with a bottle rack.
We have had this stripped and re-polished to a very high standard, the condition is superb throughout for its age. The top lifts off the base and this comes in two pieces for ease of transport.
Width – 112 cm , 44 inches
Depth – 59 cm , 23 inches
Height – 175 cm , 69 inches
Doyen Twisted Crystal Yellow Lamp
by InteriorBoutiquesDoyen Twisted Crystal Lamp
Belgium, Circa 1960s
In a tone of Yellow
This has been recently wired to UK specification with a generous twisted flex cord and is in full working order.
Light wear consistent with age and use.
Size
Height to the top of light fitting – 34cm
Diameter at Base – 17cmStandard B22 bayonet bulb.
Lampshade not included.
Doyen glass is a brand of decorative glassware produced in Belgium.
The Doyen factory was established in 1909 by Camille Rose, the factory was known for its ability to produce glass in a wide range of styles and designs, including Art Deco pieces.
They were particularly known for their cut crystal, often featuring intricate patterns and designs.
Doyen was considered one of Belgium's premier glass producers, along with Val-Saint-Lambert.
The Doyen factory closed in 1975.
Antique 19th Century French Zinc Horse Head Trade Sign
by InteriorBoutiquesAntique 19th Century French Zinc Horse Head Trade Sign.
The zinc horse head is highly detailed and very dimensional and dates back to the 1860s.
Size
Width – 67cm
Depth – 47cm
Height – 89cm
A Louis Vuitton Casier Wardrobe Trunk
by InteriorBoutiquesA Louis Vuitton Casier wardrobe trunk in complete and perfect condition.
complete with all original wooden hangers, fold down trays, etc
This item was purchased in 1975 from the London Louis Vuitton shop on New Bond Street
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