out of stockDe SAFO By Artist Huw Griffith
by Huw GriffithDe SAFO
Collage: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 55.5cm H x 66cm W x 2cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockDESTINO By Artist Huw Griffith
by Huw GriffithDESTINO
Collage: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
out of stockMontpellier II by Artist Huw Griffith
by Huw GriffithMontpellier II
From the Parasol Series
COLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockMontpellier III by Artist Huw Griffith
by Huw GriffithMontpellier III
From the Parasol Series
COLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockJ’espère By Artist Huw Griffith
by Huw GriffithJ’espère
Collage: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
out of stockOut of the Cradle By Artist Huw Griffith
by Huw GriffithOut of the Cradle
Collage: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 50cm H x 37cm W x 2cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockFieldwork Xviii By Artist Huw Griffith
by Huw GriffithFieldwork Xviii
Collage: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
out of stockFieldwork Xvii By Artist Huw Griffith
by Huw GriffithFieldwork Xvii
Collage: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
out of stockCorrado del Toro V By Artist Huw Griffith
by Huw GriffithCorrado del Toro V
Collage: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
out of stockLa France, l’armée, tête d’armée, Joséphine By Artist Huw Griffith
by Huw Griffith‘La France, l’armée, tête d’armée, Joséphine.’
Collage: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
out of stockREMNANTS 14 Medium Abstract Collage by Artist Huw Griffith
by Huw GriffithREMNANTS 14
Medium Abstract Collage by Artist Huw Griffith
DECOLLAGE: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards.
Size 97 cm W X 88.5 cm H x 5 cm D
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.If you require any further assistance or would like a delivery quote please do not hesitate to get in contact
out of stockCREDE SANS By Huw Griffith
by Huw GriffithCREDE SANS
By Artist Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 27.5 X 31.5 inches.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
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