THEN AM I A HAPPY FLY By Huw Griffith
by Huw GriffithTHEN AM I A HAPPY FLY
By Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 16 x 13 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
PROMETHEUS By Huw Griffith
by Huw GriffithPROMETHEUS
By Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 14.75 x 12.5 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
COLORE DELLA TELECORE By Huw Griffith
by Huw GriffithCOLORE DELLA TELECORE
By Huw GriffithCollage: 19th Century French ephemera, film posters
from ‘30s, ‘40s & ‘50s, graphite crayons and
household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 20.5 x 24 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
SOME ARE BORN TO ENDLESS NIGHT By Huw Griffith
by Huw GriffithSOME ARE BORN TO ENDLESS NIGHT
By Huw GriffithThe Artist has given the option to hang this artwork portrait or landscape.
Collage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 15.5 x 20 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
IF I COULD SEE THE PUPPETS DALLYING By Huw Griffith
by Huw GriffithIF I COULD SEE THE PUPPETS DALLYING
By Huw GriffithCollage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 18 x 24 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
TILL SOME BLIND HAND SHALL BRUSH MY WING By Huw Griffith
by Huw GriffithTILL SOME BLIND HAND SHALL BRUSH MY WING
By Huw GriffithCollage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 21 x 15 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
PARASOL 14 By Artist Huw Griffith
by Huw GriffithPARASOL 14
By Artist Huw GriffithCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 88cm W x 72.5cm H x 3.5cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
PARASOL 13 By Artist Huw Griffith
by Huw GriffithPARASOL 13
By Artist Huw GriffithCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size cm 78W x 64cm H x 2.5cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
MARCO MARIANI By Artist Huw Griffith
by Huw GriffithMARCO MARIANI
By Artist Huw GriffithCollage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 59cm W x 65cm H x 3cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
MANUSCRIPT 449 By Artist Huw Griffith
by Huw GriffithMANUSCRIPT 449
By Artist Huw Griffith
COLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 26cm W x 32cm H x 3cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
REMNANTS 14 Medium Abstract Collage by Artist Huw Griffith
by Huw GriffithREMNANTS 14
Medium Abstract Collage by Artist Huw Griffith
DECOLLAGE: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards.
Size 97 cm W X 88.5 cm H x 5 cm D
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.If you require any further assistance or would like a delivery quote please do not hesitate to get in contact
CAESURA By Artist Huw Griffith
by Huw GriffithCAESURA
By Artist Huw Griffith
The Artist has given the option to hang this artwork portrait or landscape.
COLLAGE: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 36cm W x 43.5cm H x 2.5cm D
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
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