out of stockEDIZIONI MUSIC da BERTO PISANI By Huw Griffith
by Huw GriffithEDIZIONI MUSIC da BERTO PISANI
By Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 26.5 x 18.5 inches
out of stockREMNANTS 15 Medium Abstract Collage by Artist Huw Griffith
by Huw GriffithMedium Abstract Collage by Artist Huw Griffith
DECOLLAGE: Layers of advertising posters are glimpsed from beneath 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons & household paint.
Part of a series of work exploring decomposition, the passing of time – inspired by abandoned and timeworn billboards.
Size 39 X 35 inches
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockAbove Us Only the Brave By Artist Huw Griffith
by Huw GriffithAbove Us Only the Brave
By Artist Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 89cm W x 53.5cm H x 2cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
out of stockDREADNOUGHT By Artist Huw Griffith
by Huw GriffithON HOLD
DREADNOUGHT
By Artist Huw GriffithThe Artist has given the option to hang this artwork portrait or landscape.
COLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 15.5.x 18.5 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
out of stockTHEN AM I A HAPPY FLY By Huw Griffith
by Huw GriffithTHEN AM I A HAPPY FLY
By Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 16 x 13 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
out of stockPROMETHEUS By Huw Griffith
by Huw GriffithPROMETHEUS
By Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 14.75 x 12.5 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
out of stockSOME ARE BORN TO ENDLESS NIGHT By Huw Griffith
by Huw GriffithSOME ARE BORN TO ENDLESS NIGHT
By Huw GriffithThe Artist has given the option to hang this artwork portrait or landscape.
Collage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 15.5 x 20 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
out of stockIF I COULD SEE THE PUPPETS DALLYING By Huw Griffith
by Huw GriffithIF I COULD SEE THE PUPPETS DALLYING
By Huw GriffithCollage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 18 x 24 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
out of stockPARASOL 14 By Artist Huw Griffith
by Huw GriffithPARASOL 14
By Artist Huw GriffithCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 88cm W x 72.5cm H x 3.5cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
out of stockPARASOL 13 By Artist Huw Griffith
by Huw GriffithPARASOL 13
By Artist Huw GriffithCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size cm 78W x 64cm H x 2.5cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
out of stockMANUSCRIPT 449 By Artist Huw Griffith
by Huw GriffithMANUSCRIPT 449
By Artist Huw Griffith
COLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 26cm W x 32cm H x 3cm D
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
out of stockBEFORE THE THRONE OF GOD By Huw Griffith
by Huw GriffithBEFORE THE THRONE OF GOD
By Artist Huw Griffith
COLLAGE: 19th Century French ephemera, film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
Taken from a Blake illustration, ‘Satan Before the Throne of God’
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist’s artist, he takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
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