Atmosphere by Sarah Amdur
by Sarah AmdurAtmosphere by Sarah Amdur
“Atmosphere” was inspired by a project I did focusing on the identity – or loss of identity as it were, of people involved in London’s “rat race”. Travelling in London I began to notice that every passer by looked the same – suited and booted holding briefcases, consumed by their phones or tablet devices, and I wondered how anyone would be able to tell them apart. I went visited London’s Liverpool street station and photographed crowds of people emerging from the underground on their way to work, and in each of Atmosphere’s 3 parts – I have cut away their silhouettes, taking away their identities. The newspaper used in the background is specifically chosen by the content written on the pages, all relating to my thought process at the time this piece was made, and the influence society was having on people.
Materials used: Newspaper, Black and White ink, acrylic paint, fine liner, photography.
POA
Atmosphere 2 by Sarah Amdur
by Sarah AmdurAtmosphere 2 by Sarah Amdur
“Atmosphere” was inspired by a project I did focusing on the identity – or loss of identity as it were, of people involved in London’s “rat race”. Travelling in London I began to notice that every passer by looked the same – suited and booted holding briefcases, consumed by their phones or tablet devices, and I wondered how anyone would be able to tell them apart. I went visited London’s Liverpool street station and photographed crowds of people emerging from the underground on their way to work, and in each of Atmosphere’s 3 parts – I have cut away their silhouettes, taking away their identities.
Materials used: Newspaper, Black and White ink, acrylic paint, fine liner, photography.
Size 83.5 High x 58.5 cm Wide.
POA
Atmosphere 3 by Sarah Amdur
by Sarah AmdurAtmosphere 3 by Sarah Amdur
Atmosphere 3 by Sarah Amdur
“Atmosphere” was inspired by a project I did focusing on the identity – or loss of identity as it were, of people involved in London’s “rat race”. Travelling in London I began to notice that every passer by looked the same – suited and booted holding briefcases, consumed by their phones or tablet devices, and I wondered how anyone would be able to tell them apart. I went visited London’s Liverpool street station and photographed crowds of people emerging from the underground on their way to work, and in each of Atmosphere’s 3 parts – I have cut away their silhouettes, taking away their identities.
Materials used: Newspaper, Black and White ink, acrylic paint, fine liner, photography.
Size 90.5 cm High x 72 cm Wide.
POA
Movement 2 by Sarah Amdur
by Sarah AmdurMovement 2 by Sarah Amdur
“Movement” was inspired by the exploration of materials and how they interact with each other, whether they separate, or marry up together.
The size and shape of the piece was deliberate, I wanted to see whether the materials travelled and how far they would go.
The initial idea was to look at water and the soft way water moves and the shapes it creates, so my materials were largely water based.
Materials used: Wax, marbling ink, acrylic plastic, soldering iron.
POA
Movement by Sarah Amdur
by Sarah AmdurMovement by Sarah Amdur
“Movement” was inspired by the exploration of materials and how they interact with each other, whether they separate, or marry up together.
The size and shape of the piece was deliberate, I wanted to see whether the materials travelled and how far they would go.
The initial idea was to look at water and the soft way water moves and the shapes it creates, so my materials were largely water based.
Materials used: Wax, marbling ink, acrylic plastic, soldering iron.
POA
Orange by Artist Sarah Amdur
by Sarah AmdurOrange by Artist Sarah Amdur
Inspired by a calming ideology. I was experiencing dark times and wanted to explore soft and fluid mediums.
I was attracted by the movement of oil and water and how it will almost do what you want it to with the right control.
These are expressions and a feeling of lust for a peaceful future.
POA
Blue by Artist Sarah Amdur
by Sarah AmdurBlue by Artist Sarah Amdur
Inspired by a calming ideology. I was experiencing dark times and wanted to explore soft and fluid mediums.
I was attracted by the movement of oil and water and how it will almost do what you want it to with the right control.
These are expressions and a feeling of lust for a peaceful future.
Size 84 cm High x 44 cm Wide.
POA
Antique Jiffy Dyes Poster
by Dodo PostersAntique Jiffy Dyes Poster
Dimensions 102 x 69 in
Subject
Soap, Starch, Polish & DyesCountry
FranceCondition
Good, linen-backing is recommendedYear
circa 1930sLinen-backed
This is unbacked. Linen-backing would cost an additional £450 and take about 4 weeks.
Antique Chantier Houiller Poster
by Dodo PostersAntique Chantier Houiller Poster
Dimensions 63 x 42 in
Year
1924Subject
ProductsCountry
BelgiumCondition
Good, but minor crease marksLinen-backed
YesArtist
Jean D’Ylen
Antique Biscotines Union Poster
by Dodo PostersAntique Biscotines Union Poster
Dimensions 55 x 40 in
Year
1906Subject
Sweets & BiscuitsCountry
FranceCondition
Good, but few tiny losses to edges, one small repair to bottom edgeLinen-backed
Yes
Vintage World Map by George Phillip & Son – 1964
by Retrospective InteriorsVintage World Map by George Phillip & Son – 1964
A very unusual and impressive world map, this was specially made for the Zim Israel Navigation company in 1964 by George Phillip and Son. It has yellowed a fair bit and shows some signs of superficial wear, but it’s all intact and looks great.
Width – 122 cm
Height – 93 cm
Original Photo of Jack Vettriano by Photographer John Swannell
by Angell AntiquesOriginal Photo of Jack Vettriano by Photographer John Swannell
This is signed by John Swannell on the front right and is also signed and dated on the back by Jack Vettriano 2014.
Photo is presented in original wooden frame.
Size 47 cm Wide x 3 cm Deep x 55 cm High.
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