Latest Finds of Decorative Antiques and Mid-Century Design
Our latest finds comprises of antiques, mid-century, vintage and decorative pieces from around the world by well-known and trusted boutiques. Keep an eye out on this page for new pieces that are introduced daily. You are sure to find that something special you are looking for.
- out of stock
Ah my love, ah my own By Artist Huw Griffith
by Huw GriffithAh my love, ah my own
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images. - out of stock
CHELO ALONSO by Artist Huw Griffith
by Huw GriffithCHELO ALONSO
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images. - out of stock
BATTAGLIA – LIVIO by Artist Huw Griffith
by Huw GriffithBATTAGLIA – LIVIO
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images. - out of stock
MONPELLIER IV From the Parasol Series
by Huw GriffithMONPELLIER IV
From the Parasol SeriesCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images. - out of stock
MONTPELLIER V From the Parasol Series by Artist Huw Griffith
by Huw GriffithMONTPELLIER V
From the Parasol SeriesCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
From the Parasol Series(Heavy weight cotton canvas)
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images. - out of stock
MONTPELLIER VI From the Parasol Series by Artist Huw Griffith
by Huw GriffithMONTPELLIER VI
From the Parasol SeriesCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
From the Parasol Series(Heavy weight cotton canvas)
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images. - out of stock
JOSE CIBRIAN by Artist Huw Griffith
by Huw GriffithJOSE CIBRIAN
COLLAGE: 19th Century French papers,remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images. - out of stock
ME GUSTÓ by Artist Huw Griffith
by Huw GriffithME GUSTÓ
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images. - out of stock
BOVINA by Artist Huw Griffith
by Huw GriffithBOVINA
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images. - out of stock
DEEPER ROOTS From The Fieldwork Series by Artist Huw Griffith
by Huw GriffithDEEPER ROOTS
From The Fieldwork SeriesCOLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images. - out of stock
‘the dim and the dark cloths’ by Artist Huw Griffith
by Huw Griffith‘the dim and the dark cloths’
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images. - out of stock
1920’s Pair of Swedish Art Deco Satin Birch Armchairs
by InteriorBoutiquesA very stylish pair of Swedish Art Deco period armchairs in satin birch. They were recently imported from Sweden, they date from the 1920-30’s.
The quality is excellent, the frames have beautiful sweeping curves and the satin wood has a gorgeous colour tone. They are well sprung and very comfortable.
We have had the frames stripped and re-polished to a very high standard, and they have been re-upholstered in a cream cotton fabric. The condition is superb for their age.
Width – 24 inches , 61 cm
Depth – 27 inches , 69 cm
Height – 33 inches , 84 cm
Seat height – 18 inches , 46 cm - out of stock
1970’s Vintage Italian Brass Palm Tree Floor Lamp
by InteriorBoutiquesAn exceptional vintage palm tree floor lamp, this was made in Italy and it dates from the 1970’s.
The quality is amazing, this is very large and extremely impressive. The colour tones and patina on the metal is gorgeous, this gives of a beautiful light and looks amazing from all angles.
The condition is excellent for its age, with only some minor wear here and there. It has been re-wired and fitted with new bulb holders, it is in good working order.
Width – 92 cm , 36 inches
Depth – 92 cm , 36 inches
Height – 153 cm , 60 inches - out of stock
1920’s Art Deco Walnut Occasional Table
by InteriorBoutiquesA fantastic original Art Deco period occasional side / centre table in walnut. This was made in England, it dates from the 1920’s.
It has a beautiful stepped design, with the three circular tiers overhanging each other giving an S shaped profile. The quality is superb, this so very well made from walnut and looks great from all angles. The walnut is veneered in a geometric design on the top and lower surfaces, the sides have gorgeous figured walnut.
We have had this recently stripped and re-polished to a very high standard, the condition is superb throughout.
Width – 63 cm , 25 inches
Depth – 63 cm , 25 inches
Height – 62 cm , 25 inches - out of stock
Pair of Antique Swedish Leather Club Armchairs
by InteriorBoutiquesA fantastic pair of antique Swedish leather club chairs. They were recently imported from Sweden, they date from around the 1930’s.
The quality is outstanding, they are extremely well made and are very comfortable. The solid and heavy frames are well sprung, the brown leather is thick and also of amazing quality.
We have had the leather revived and hand coloured by our leather restorer, the tapered solid oak legs have also been re-polished. The condition is excellent throughout.
Width – 35 inches , 89 cm
Depth – 33 inches , 84 cm
Height – 29 inches , 74 cm
Seat height – 16 inches , 41 cm
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