Latest Finds of Decorative Antiques and Mid-Century Design
Our latest finds comprises of antiques, mid-century, vintage and decorative pieces from around the world by well-known and trusted boutiques. Keep an eye out on this page for new pieces that are introduced daily. You are sure to find that something special you are looking for.
out of stockI will bring you happy flowers by Artist Huw Griffith
by Huw GriffithI will bring you happy flowers
COLLAGE: 19th Century French papers, remnants of Spanish film
posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockAh my love, ah my own By Artist Huw Griffith
by Huw GriffithAh my love, ah my own
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockCHELO ALONSO by Artist Huw Griffith
by Huw GriffithCHELO ALONSO
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockBATTAGLIA – LIVIO by Artist Huw Griffith
by Huw GriffithBATTAGLIA – LIVIO
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockMONPELLIER IV From the Parasol Series
by Huw GriffithMONPELLIER IV
From the Parasol SeriesCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
(Heavy weight cotton canvas)
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockMONTPELLIER V From the Parasol Series by Artist Huw Griffith
by Huw GriffithMONTPELLIER V
From the Parasol SeriesCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
From the Parasol Series(Heavy weight cotton canvas)
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockMONTPELLIER VI From the Parasol Series by Artist Huw Griffith
by Huw GriffithMONTPELLIER VI
From the Parasol SeriesCOLLAGE: paper & early 20th Century sun-bleached French parasols strips
From the Parasol Series(Heavy weight cotton canvas)
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockJOSE CIBRIAN by Artist Huw Griffith
by Huw GriffithJOSE CIBRIAN
COLLAGE: 19th Century French papers,remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockME GUSTÓ by Artist Huw Griffith
by Huw GriffithME GUSTÓ
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockBOVINA by Artist Huw Griffith
by Huw GriffithBOVINA
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockDEEPER ROOTS From The Fieldwork Series by Artist Huw Griffith
by Huw GriffithDEEPER ROOTS
From The Fieldwork SeriesCOLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stock‘the dim and the dark cloths’ by Artist Huw Griffith
by Huw Griffith‘the dim and the dark cloths’
COLLAGE: 19th Century French papers, remnants of Spanish film posters from ‘30s, ‘40s & ‘50s, graphite crayons and household paint.
The collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images.
out of stockItalian Lacquered Parchment Lamp by Aldo Tura
by InteriorBoutiquesAn extremely rare, important and absolutely beautiful vintage Italian floor lamp by Aldo Tura. This was made in Italy, it dates from the 1970’s.
It is of museum quality, with a stunning and striking design depicting a long necked goose supporting a lantern with four glass sides. It is made from lacquered parchment goat skin, which has a gorgeous colour tone and patina.
This is very large and impressive, the condition is superb. We have had this re-wired and PAT tested, it is in good working order.
Width – 50 cm , 20 inches
Depth – 26 cm , 10 inches
Height – 183 cm , 72 inches
out of stock1920’s Pair of Swedish Art Deco Satin Birch Armchairs
by InteriorBoutiquesA very stylish pair of Swedish Art Deco period armchairs in satin birch. They were recently imported from Sweden, they date from the 1920-30’s.
The quality is excellent, the frames have beautiful sweeping curves and the satin wood has a gorgeous colour tone. They are well sprung and very comfortable.
We have had the frames stripped and re-polished to a very high standard, and they have been re-upholstered in a cream cotton fabric. The condition is superb for their age.
Width – 24 inches , 61 cm
Depth – 27 inches , 69 cm
Height – 33 inches , 84 cm
Seat height – 18 inches , 46 cm
out of stock1970’s Vintage Italian Brass Palm Tree Floor Lamp
by InteriorBoutiquesAn exceptional vintage palm tree floor lamp, this was made in Italy and it dates from the 1970’s.
The quality is amazing, this is very large and extremely impressive. The colour tones and patina on the metal is gorgeous, this gives of a beautiful light and looks amazing from all angles.
The condition is excellent for its age, with only some minor wear here and there. It has been re-wired and fitted with new bulb holders, it is in good working order.
Width – 92 cm , 36 inches
Depth – 92 cm , 36 inches
Height – 153 cm , 60 inches
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