- out of stock
Art Deco 1920’s Burr Maple & Walnut Cocktail Cabinet
by InteriorBoutiquesAn absolutely stunning and top quality original Art Deco cocktail cabinet, made by Epstein in the 1920-30’s. This has a gorgeous design and has many fine features.
This is predominantly made from lovely burr maple, with burr walnut trim. We have had this stripped and re-polished to a very high standard, the condition is immaculate throughout.
The upper section has a peach mirrored glass interior, with fitted shelves, pull out slide, a working light and even the original cocktail sticks.
This comes in two sections for ease of transport, and comes with the original locking key.
Width – 107 cm , 42 inches
Depth – 49 cm , 19 inches
Height – 170 cm , 67 inches - out of stock
1920’s Art Deco Walnut & Maple Lamp / Side Table
by InteriorBoutiquesA stunning original vintage Art Deco period lamp stand with a built in table. This useful item was beautifully made from walnut and burr elm, it dates from the 1920-30’s. It is in superb condition, we have had the frame stripped and re-polished to a very high standard. We have paired it with this lovely vintage silk shade, which is also in lovely condition, with just some very light wear. We have had this re-wired and it is in good working order.
Width table – 56 cm , 22 inches
Width shade – 56 cm , 22 inches
Height to socket – 160 cm , 63 inches
Height to shade – 193 cm , 76 inches - out of stock
De Sede DS46 Vintage Leather Sectional Corner Sofa
by InteriorBoutiquesA stunning and very comfortable vintage leather corner sofa of the most amazing quality, this is the DS46 made by De Sede in Switzerland. It dates from the 1960-70’s, and is in amazing condition for its age. We have had the thick high quality leather professionally coloured and revived, it has gorgeous brown tones throughout. There are no rips or tears, just one or two minor scuffs to a couple of corners. This is a most impressive suite that can be configured in a number of arrangements.
Each section:
Width – 92 cm , 36 inches
Depth – 92 cm , 36 inches
Height – 74 cm , 29 inches
Seat height – 33 cm , 13 inches - out of stock
Art Deco Solid Oak Chest of Drawers Vintage 1930’s
by InteriorBoutiquesA magnificent original Art Deco period chest of drawers, beautifully made from solid oak. This dates from the 1930-50’s.
The quality is absolutely amazing, this is constructed from solid oak panels throughout, it is very heavy. Even the drawers are entirely solid oak construction. It sits on a grooved ebonised plinth base and has interestingly shaped ebonised handles. There is also some geometric shaped black inlay on the drawer fronts.
We have had this stripped and re-polished to a very high standard, the condition is excellent for its age.
Width – 87 cm , 34 inches
Depth – 46 cm , 18 inches
Height – 100 cm , 39 inches - out of stock
Pair of Vintage Leather Armchairs in the Manner of Vladimir Kagan
by InteriorBoutiquesAn amazing pair of vintage armchairs with an absolutely stunning design. They are highly influenced by Vladimir Kagan’s ‘Contour’ armchairs, though we are not sure who made these.
They are of amazing quality, with finely sculpted solid wood frames, and generous leather seats. They are also extremely comfortable!
We have had the wood frames stripped and re-polished to a very high standard. We have also had the leather seats revived and polished, they are also in great condition with just some minor wear here and there. There is a very small repair to the leather on the back of one chair, seen in the images.
Width – 74 cm , 29 inches
Depth – 97 cm , 38 inches
Height – 94 cm , 37 inches
Seat height – 39 cm , 15 inches - out of stock
Antique Regency Mahogany Wine Cooler Cellarette
by InteriorBoutiquesA beautifully made and rare original antique Georgian period wine cooler. This dates from around 1800-1810 period.
It is of excellent quality and is in superb original condition. We have cleaned and given it a wax polish, there is only some old wear to be seen here and there.
This has ebony inlays, flame mahogany panels, beautifully carved hairy paw feet, a strong looking reeded bottom edge and carrying handles on the side. The original metal lined interior is present, with surface wear as would be expected from 200 years of use!
Width – 30 inches , 76 cm
Depth – 19 inches , 48 cm
Height – 20 inches , 50 cm - out of stock
DREADNOUGHT By Artist Huw Griffith
by Huw GriffithON HOLD
DREADNOUGHT
By Artist Huw GriffithThe Artist has given the option to hang this artwork portrait or landscape.
COLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 15.5.x 18.5 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
THEN AM I A HAPPY FLY By Huw Griffith
by Huw GriffithTHEN AM I A HAPPY FLY
By Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 16 x 13 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
PROMETHEUS By Huw Griffith
by Huw GriffithPROMETHEUS
By Huw GriffithCOLLAGE: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite crayons
and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 14.75 x 12.5 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
COLORE DELLA TELECORE By Huw Griffith
by Huw GriffithCOLORE DELLA TELECORE
By Huw GriffithCollage: 19th Century French ephemera, film posters
from ‘30s, ‘40s & ‘50s, graphite crayons and
household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 20.5 x 24 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
SOME ARE BORN TO ENDLESS NIGHT By Huw Griffith
by Huw GriffithSOME ARE BORN TO ENDLESS NIGHT
By Huw GriffithThe Artist has given the option to hang this artwork portrait or landscape.
Collage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 15.5 x 20 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
- out of stock
IF I COULD SEE THE PUPPETS DALLYING By Huw Griffith
by Huw GriffithIF I COULD SEE THE PUPPETS DALLYING
By Huw GriffithCollage: 19th Century French ephemera, film
posters from ‘30s, ‘40s & ‘50s, graphite
crayons and household paintThe collage has been placed into an antique frame which has been reworked by Huw and is part of the overall artwork.
Size 18 x 24 inches
The artist takes inspiration from found objects, such as old letters, ephemera and frames, picked up on his travels and from trawling antiques fairs. He is intensely instinctive by nature and shows scant regard for creative constraints and any artistic rulebook, preferring the peripheries of the art world and the traditional marketplace, he started off selling his work on the street and has worked his way up from there. The son of the late actor, Kenneth Griffith, his aesthetic has one foot in the historical past, and the other in Outsider Art.
Artistry runs in the blood on both sides of his family. Down the maternal line, Griffith is a direct descendent of the showman William Hagar, a Pioneer of British cinema who ‘followed the coal’, bringing handmade films to audiences who had never before seen a moving image. As a nod to his silver screen heritage, Griffith sources vintage film posters for their early colors and Primitive images
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